The hemline of a 1950's lace dress is softly shirred adding interest to the scalloped edge of the lace.
Illusion lace bodice and hemline of a 1950's full slip has black lace overlay against a blush nylon background. Sweet soft blush pink ribbon is woven into the lace captured at the edge of bodice
Smocking stitches at the waist add fullness to the back of the skirt on this 1930's silk floral garden party dress.

Elaborate eyelet embroidery accents the wide waist and hem on this 1950's silk chiffon full skirted party dress.
A 1970's silk scarf by Vera carries her signature. This is her larger signature that is on pieces from the 70's and 80's.
The bell shaped skirt of this 1950's party dress is accented with ruched panels and large bows at the front and back.

Large rhinestones, orange beads, and unusual silver disk sequins with cut-outs form a Cleopatra bib style collar on this 1960s evening gown by Pat Sandler.
A delightful combination of various sizes of polka dots and stripes are blended to create a fun print on this 1970's maxi dress.
A straight band of contrasting print is seamed to curve up over the shoulder on this late 1940's dress which brings to mind the work of the designer Tina Leser.
The nylon jersey fabric of this Miss Elaine bodysuit has the signature 'Marc'. There was a series of signature marc fabrics used in pieces by the company, and we have learned that the identity of 'marc' is now the Chairman of Miss Elaine.
This 1960s Serbin screenprint silk dress has the Serbin signature at the bottom of the butterfly print.
The sleeves of this 1940's dress have deeply cut armholes and a dolman shape. This was a popular style immediately post-war in 1946-47.
Swirls of lace are accented with rhinestones, beads, and dangling crystals on this 1960's cocktail dress by Lillie Rubin.
The top flap of a 1980's eel skin clutch purse is sewn and treated into a windowpane like pattern creating an interesting texture which compliments the balance of the purse.