The rib knit radiates from the neckline creating a funnel type collar on this 40's boucle knit skirt suit.
A large oval pocket at the right side of this 1940's strapless dress has a teardrop opening at the center which is adorned with pink bow appliques.
A knife pleat is a type of sharply pressed pleating, in which all of the folds are turned in one direction.
Sequins in matching colors accent the print of a 1950's Anne Starr fitted dress. The sequins are applied in swirls and squiggles to blend into the abstract floral print.
Springolators are a patented design of a 50's mule. A hidden elasticised band in the sole holds the shoe firmly in place.
The sequined and embroidered designs on this 1960s silk cocktail dress are perfectly matched at the back zipper opening. This is a sign of high quality.
Sleeveless surplice neckline with 3 small sewn tucks at the center bodice. Surplice is defined as having a diagonally overlapping neckline or closing.
A band of black Guipure lace is backed with white satin. It along with a band of black velvet ribbon curve under the bust on a 1950's cocktail dress. Guipure lace is made without a net background from heavy yarns. The motifs are joined with thread bridges.

Strands of rhinestones radiate from a rhinestone choker necklace to the neckline of this Mr. Blackwell cocktail dress. The rhinestone strands are attached to the neckline of the dress, so jewelry becomes trim. Mr. Blackwell died yesterday, October 19.2008, at age 86.

A square rhinestone button sits within a band of self fabric trim at the shoulder of a 1940's suit by Crestmoor.
A 1950's silk chiffon dress has a knife pleated shelf bust and waistband. Sheer silk chiffon overlay at the bust creates a sleeveless and strapless look.
Bands of fabric are slipped through a waistline tuck to simulate a bow on an early 60s Christian Dior New York silk dress.

Black sequins form a butterfly design on the bodice of a 1940's cocktail dress. Sequins were very popular as decoration in the 40's, often worked in designs from nature.

Corded pintucks go all the way around the waist to add fullness to the skirt on this 1950s dress. Cord is laid on the wrong side of the fabric, and the tuck is sewn to capture the cord inside and give it a 3 dimensional quality.
Accordion pleated trim is made by folding fabric alternately in and out creating projecting pleats. Pleating is typically used as a part of the design of a garment, with the purpose of adding controlled fullness or taking up excess fabric. Here it is used as a design element in the trim of a hat.
Rather than darts from the side seam, the fullness needed for the bust comes from tucks extending down from the shoulder seam on this early 1960's evening gown.
